All articles
- The CHOP Protocol Diary ðĐŧ 4, 2026
- coming to Ljubljana art weekend ðļðŪ 27, 2026
- all my writing in 2025 ðŋ 1, 2026
- spoke to trippin ðŠŦ 23, 2025
- digging with flo ðŠī 21, 2025
- the poor artists paperback launch ð Sept 19, 2025
- Interviewed for Plaster magazine âïļ 2, 2025
- The labour government are doing eugenics ð 25, 2025
- general sick note ðĪĄ 9, 2025
- speaking to Jen Calleja about goblins ðđ 9, 2025
- coming to manchester soon ð° 28, 2025
- spoke at london art fair âģ 26, 2025
- shortlisted for the Gordon Burn Prize ðĪ 23, 2025
- talk in munich ð― 10, 2025
- 2025 time ðđ 3, 2025
- Poor Artists is out in the UK AND North America ð 1, 2024
- Poor Artists is out now ð 11, 2024
- do you want to see my kitten ð Sept 4, 2024
- on BBC radio London ðïļ 30, 2024
- I have been in France ðŦð· 20, 2024
- Hardeep Pandhal's Inheritance Quest is out April 30th ð 17, 2024
- my Poor Things review has been translated ð§ 20, 2024
- I have an image out with Photoworks ðļ 13, 2024
- recent writing I'm proud of âðŧ 13, 2024
- My book Poor Artists is coming out October 3rd ð§ 21, 2024
- made another Downpour-thing âïļ 3, 2024
- The Largest McDonald's in Europe ðĶĒ 3, 2024
- tour of the john moores painting prize ðŽ 24, 2024
- judging old art for fun ð 16, 2024
- Instalments 2 and 3 of my column ð 11, 2024
- everything I made in 2023 22, 2023
- should more artists rage bait online? 22, 2023
- I've started a new column for Elephant ð 8, 2023
- made a video about judging the john moores ðŽ 9, 2023
- my first review in a while âðŧ 9, 2023
- rough trade convo at the handyman â
9, 2023
- Interviewed Alison Rumfitt at the Handyman 19, 2023
- every nando's is a gallery ðķ 15, 2023
- John Moores Painting Prize is open! Sept 21, 2023
- publication date for Chaotic Nightclub Photos - The Review ðū Sept 21, 2023
- on Soho Radio chatting about the club ðĄ Sept 18, 2023
- In conversation with Alison Rumfitt this autumn Sept 10, 2023
- I made a game on Downpour ð§ 2, 2023
- I wrote a text for Vittles ð§ 2, 2023
- publishing a pamphlet with Rough Trade Books ðū 27, 2023
- spoke to BBC Radio 4 about taste 5, 2023
- wrote another short story ooOoo 5, 2023
- wrote a short story ðĐðŧâðŧ 29, 2023
- I was on a BAFTA jury ðŪ 30, 2023
- A text for Adonis Archontides ð 29, 2023
- in conversation with Abi Palmer âïļ 23, 2023
- come to a film festival with me ð 19, 2023
- Art Basel Hong Kong ðĢ 7, 2023
- london fashion week coverage of Moncler's Art of Genius ððŧ 22, 2023
- a week in the life of a critic âïļ 17, 2023
- Kunstkritikk interview The White Pube ðŦ 17, 2023
- liverpool day out ðļ 26, 2023
- come to ireland with me âïļ 9, 2023
- hello from a residency in Cobh ðŪðŠ 13, 2022
- A-N Assembly on Access 29, 2022
- Juror on John Moores Painting Prize 2023 16, 2022
- taught on Game Studies ð§Đ 15, 2022
- mubi partnership ð― 23, 2022
- youtuber? ha ha ha 23, 2022
- in conversation with lubaina himid & co Sept 13, 2022
- my CV 9, 2022
- worked on a games project ðŪ 31, 2022
- spoke to Teen Vogue about Long Covid 3, 2022
- My Long Covid is actually POTS? 21, 2022
- In conversation with Danielle Brathwaite-Shirley 11, 2022
- a beautiful staircase âĻ 17, 2021
- long covid treatment in Liverpool [UPDATED] ð 17, 2021
- ideas for a new art world ð 10, 2021
- The Haven of Aves ðĶĒ 7, 2021
- my favourite texts of 2021 âïļ 6, 2021
- Real Review ð 4, 2021
- The Impact of Using Social Media as an Artist ðĐðŧâðŧ 3, 2021